THE FEMALE SINGER IN ASIA: NEXT CAREER PORT OF CALL?

By Hans Ebert
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For those female artists in Asia who know that no matter how “mature” they might be that their pulling power at those huge and often way over the top ‘live’ concerts worth millions to them will always be there along with Star Appeal, especially at home and which might travel to markets nearby, international fame, no matter how small, eludes them.

Is this fame important to them? Not financially, but as part of their portfolio- part of enhancing their image, and that thing called face/pride, definitely. Maybe not much anymore as no one knows where music is heading and what’s in it for anyone other than coasting along and making that existing brand as relevant and expensive as it can be. Of course, one must first actually have a brand.

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HIGH TIME MISS VANDETTA TAKES HER BROKEN WINGS AND FLY

By Hans Ebert
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My longtime friend Munir (Alsagoff) in Singapore shared some music videos with me last week of another friend from the fairly old days: Vanessa Fernandez.

What stopped me in my tracks was seeing a very familiar name on one of them: Leland Sklar, one of my musical heroes and a bass guitarist who’s played with everyone who’s anybody. James Taylor, Jackson Browne, Toto, Carole King, Phil Collins, and part of The Section with Russ Kunkel, Craig Doerge, and Danny Kortchmar.

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Where and when the Hong Kong music scene lost its way…

By Hans Ebert
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Hong Kong has been Canto Popped and Jazzified. When it comes to music and something remotely approaching a music scene, there’s no middle ground. One is in one camp or the other. Rock was forced to roll over and disappear. There’s a sad story to why that happened.

As for where music in this city is today, and though loathe to bring ageism into this subject, what comes out in the wash is a very tired ‘look’ with the usual suspects going round and round in circles.

Let’s stop with the Lack Of Venues mantra. Why not think about the lack of musicians? Especially very good musicians. How many are there in Hong Kong? Twenty? Ten? Less? And musicians playing what?

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CANTO POP AND WHY HONG KONG NEEDS THE NEXT SAM HUI

By Hans Ebert
@hanseberthk

Believe me, we’re trying to change things around. The question is whether we’ve left it all a little too late and are happy to just coast, because it pays the rent. And as no one’s getting any younger, to many, that’s life’s main priority. Maybe we don’t want to change the world. That’s not our job. Maybe we just want to survive in our own little corner of the world and put on that happy face everyday and try to kid ourselves and everyone else that all is cool.

I might be writing about Hong Kong, but I could be writing about anywhere. I might be writing about music, but I could be writing about any of the arts or any business or even life itself. And music is entertainment and much about life, but it’s also a business. Those days of playing for free for “exposure” should have ended when playing with one’s first school band and performing at tea parties.

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HONG KONG AND ITS OPEN MIC SESSIONS AND WHEN TO PULL THE PLUG ON THEM

By Hans Ebert
@hanseberthk

It was raining. And these days one has to almost force one’s self to get out as there’s really nothing much happening in Hong Kong that’s worth making the effort to see or looking for new people to meet. It seems like it’s all been said and done and heard before and the only sensible thing to do is to get away from it all and find a new perspective in life. So, with my friend having made a spicy tofu salad with Chinese spinach, we decided to stay home and watch The Voice, something I hadn’t done in over a year.

I gave up on these television karaoke competitions years ago, but my friend, who still holds onto the dream of being a high powered female music executive, wanted to see some of the talent appearing on this particular night and who she knew.

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