By Hans Ebert
Believe me, we’re trying to change things around. The question is whether we’ve left it all a little too late and are happy to just coast, because it pays the rent. And as no one’s getting any younger, to many, that’s life’s main priority. Maybe we don’t want to change the world. That’s not our job. Maybe we just want to survive in our own little corner of the world and put on that happy face everyday and try to kid ourselves and everyone else that all is cool.
I might be writing about Hong Kong, but I could be writing about anywhere. I might be writing about music, but I could be writing about any of the arts or any business or even life itself. And music is entertainment and much about life, but it’s also a business. Those days of playing for free for “exposure” should have ended when playing with one’s first school band and performing at tea parties.
Continue reading “CANTO POP AND WHY HONG KONG NEEDS THE NEXT SAM HUI”
By Hans Ebert
It now happens with such monotonous regularity that it has become meaningless. It’s a subject that also raises more questions than answers. It brings back some bad memories and becomes irksome because we should not be where we are today- a tired creative community waiting and praying for some fairy godmother to pull us out of the mire.
So when relatively new Chief Executive Carrie Lam, below, announced last month that her government was going to overhaul the image of Hong Kong as a creative hub by bringing in “overseas talent” to help turn this city into a centre for innovation and technology, one might have heard a low humming sound. Those were the sounds of yawns being stifled.
Continue reading “DEAR CHIEF EXECUTIVE CARRIE LAM AND HER COMMITMENT TO INNOVATION AND TECHNOLOGY. SERIOUSLY?”
By Hans Ebert
I’ve been telling as many people in Hong Kong as possible recently how I wish I could bottle the city and take it to places like Tokyo, Amsterdam, perhaps Taipei, Copenhagen, certain parts of Melbourne, but away from the usual suspects in horse racing, and if one can stand the pollution, Beijing and Shanghai. Why? To try and bring Hong Kong’s mojo back- that is if it ever had a mojo. To see where and why it’s lost the plot and needs to start all over again with a new mindset. Seriously now…
Continue reading “GET REAL, HONG KONG! PLEASE!”
A contemporary fairy tale based on the songs of Hans Ebert and Trevor Carter.
He woke up one day and it was like someone had switched the lights off in his head. He knew he was here, but it was hard getting there and beyond. For some reason, all motivation was gone. Inspiration had decided to pack its bags and leave. And with no inspiration, he knew there’s nothing except as Dylan sang, being stuck inside of Mobile with the Memphis Blues again.
Continue reading “GIVE YOURSELF UP TO IMAGINATION”