MUSIC: WHY THE PRESENT AND FUTURE ARE IN BACK CATALOGUES

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

She’s a singer- a professional singer who would be in her early Forties. There we were chatting about some MOR and Adult Contemporary songs, but the conversation came to a screeching halt when she asked, “Who’s Norah Jones?”

Okay, for a number of reasons, I have always been an admirer of Miss Jones who, like Karen Carpenter, has one of the most distinctive voices in Pop music, and an artist who uses that unique voice to take her music to places where it hasn’t been. I love her for being an artist who takes her time and takes musical chances. She’s no one trick pony.

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OPENING THAT FRONT DOOR AND MINING THOSE BACK CATALOGUES

By Hans Ebert
Visit Hans-Ebert.com

It’s not always about finding new talent. It’s often about going back in time and revisiting that back catalogue.

It’s like being Indiana Jones. It’s about rediscovering those gems lying there dormant. All the great music that’s still relevant. Often in a different class. With legendary back stories. But unknown to at least two generations of music fans. It’s all about embarking on a wonderful journey of discovery. Making up for lost time. And lost musical notes. It’s reviving that Indie spirit.

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MUSIC: THE TIME TO SET NEW STANDARDS

By Hans Ebert
Visit Hans-Ebert.com

It’s not the latest “hip” music, but then, what is- Florence and the Machine? Sia? Drake?- but a friend and I were listening to our friend Maricel, the resident singer at the Champagne Bar of the Grand Hyatt in Hong Kong, perform a set of standards- “Moon River”, “The Way You Look Tonight”, “Somewhere Over The Rainbow” “This Masquerade” etc- great SONGS that have BECOME standards.

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