HORSE RACING: FFS, JUST CHILL, HAVE FUN AND ENJOY THE RIDE…

By Hans Ebert
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Before returning to Sydney for family reasons, Tye Angland was seen by many as being a future champion Hong Kong jockey.

A surprise choice to many in Australia to receive a license to ride here- the doubters thought he was too young, an unknown, and wasn’t ready to cope with the goldfish bowl world of Hong Kong racing and the sharks and tadpoles swimming around the seaweed- the real surprise was how quickly the tall former rodeo rider adapted to everything going around him.

Hong Kong racing and the speed in which the city moves, like it’s done to many in every industry who have moved to Hong Kong over the decades, force people to grow up. Leave the innocence of country life behind and become more “international”. It’s kinda like being a Gloria Gaynor song. Change and learn to play the game or be prepared to be thrown under the bus.

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GET BACK TO WHERE YOU ONCE BELONGED

By Hans Ebert
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There’s that opening chord to “Hard Days Night”. That “naughty chord”. Some of us are still trying to figure it out. Same with the chords to many of their other songs.

Being left handed, McCartney tuned his guitar differently. Strung his strings “upside down”. Was this how he was seemingly able to pluck such wonderful melodies out of thin air?

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THE HKIJC AND ROLLING OUT A NEW RED CARPET

By Hans Ebert
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In a rather sombre video to create an almost film noire mood for the upcoming Hong Kong Longines International Jockeys Championships, over what sounds like the soundtrack to “Taxi Driver”, appear the words, “Champions collide while darkness falls”. Easy chaps. And lighten up. One hopes no one collides with anyone. It could get a tad messy.

What’s interesting about this evening’s races, other than trying to snag a couple of the huge jackpots up for grabs, is wondering who will fill that last berth to represent Hong Kong in the “darkness”. Chad Schofield or Douglas Whyte?

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THE ONGOING COMEBACK OF JASON MASKIELL…

By Hans Ebert
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It wasn’t just good to hear. It had to be heard. It was inspiring. One seldom cheers on an interview on radio. But listening yesterday to Michael Felgate interview jockey Jason Maskiell on RSN about how one of the most promising riding talents in Melbourne- a champion apprentice- has pulled himself out from the abyss of self-destruction spoke volumes.

There was something Dickensian to his story. One kept waiting for a Fagin to appear. Or to be mentioned. Horse racing is littered with Fagins. The invisible ones are the most dangerous. They feed on the weak. And no one is strong all the time. We may think so. But we’re not.

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THE HKJC COMES UP WITH A BEAUTY…

By Hans Ebert
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Rightly or wrongly, the word “malaise” was used by me recently to describe the state of horse racing. Horse racing everywhere.

This had nothing to do with the exploits of Winx, Enable, Cracksman, Beauty Generation, the brilliantly produced Cox Plate Day presentation for overseas consumption and the derring do in the saddle of riders like James McDonald, Tim Clark, Brenton Avdulla, Hugh Bowman, Kerrin McEvoy, John Allen, Ben Thompson, Damien Oliver, Craig Williams etc and outside of Australia, Frankie Dettori, Oisin Murphy, William Buick, Ryan Moore, Zac Purton, Joao Moreira and Christophe Lemaire.

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SOCIAL MEDIA: HOW EFFECTIVELY IS HORSE RACING USING IT? REALLY.

By Hans Ebert
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There was a time not really that long ago though time often flies on unexpected wings at a worldwide music conference in Munich when us executives listened to a panel of young Facebook execs explain how we could use the social media platform- very new at the time- to sell more music. To work closer with music fans. Introduce new music much more cost effectively. And with more pinpoint accuracy. How MySpace was finished. But never ever thinking that this thing called “social media” would get off the ground, we never listened.

Ignorance and arrogance came into play and most of us saw their presentation as a break to grab some chocolate muffins and chat up one of the Facebookers.

We -the music industry- had successfully sued illegal file sharing site Napster and co founders Sean Parker and Shawn Fanning and believed that nothing was going to change our world. The six star lifestyle was going to continue. So much for that dream.

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WITH HKIR WEEK AROUND THE CORNER, A LOOK AT THE NEW HONG KONG…

By Hans Ebert
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Warning: This isn’t the Hong Kong that was around two years ago. Or even a year ago. A shopper’s paradise? Hardly. Those nouveau riche Mainland Chinese came in droves a few years ago, shops closed exclusively for them to overpay for luxury items before the spending was finally reined in.

Walk through the Landmark and Pacific Place and very often the staff outnumber customers. Those big name brands just lie there. Unless there’s some seasonal sale. Or an Everything Must Go Sale.

It’s like restaurants, bars and clubs. One day, they’re there. The next they’re gone. It’s all about over supply and demand. And more often than not, no demand. Other than the occasional drunk tourist being thrown out of Escape in Jaffe Road, except for Dust Till Dawn, Wanchai is dead.

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ALGORITHMS IS NOT MUSIC, OK?

By Hans Ebert
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Let’s try to make some sense out of all this. Or at least find solutions. We know the problems. One major problem: Unless a (Sir) Lucian Grange, or a Simon Cowell, Jimmy Iovine, Jay-Z, perhaps Daniel Ek- or any of the other big Poohbahs in the music business- and those established artists who were complete unknowns with no direction of home until plucked from obscurity by those with the intuitive A&R skills to hear something special in their music, many very good artists fell through the cracks. Or else didn’t become as big as they should have.The band Low Millions come to mind. And Athlete. Starsailor. Placebo. Moriarty.

So many great talent from Denmark led by Nephew.

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Joao Moreira is returning to Hong Kong: Anyone care? Really?

By Hans Ebert
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Remember that old saying about striking while the iron’s hot?

So, for about a week, there were the Chinese whispers that Joao Moreira would be back. Riding in Hong Kong. A Sayonara to Japan. And there were hosannas from the high! The Brazilian Magic Man was coming back! It was gonna be a conga line of Carnivale de Rio!

That was around September. And where are we now? Not much further from September.

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IT’S JUST ANOTHER GROUNDHOG DAY IN THE BLUE TICK TWITTERVERSE

By Hans Ebert
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You can’t even get your favourite Madras Chicken Curry from Jimmy’s Kitchen in Hong Kong anymore. So how the hell does one expect to be inspired enough to continue with everything else? But one still does. Trudging up those steps. Asking for forgiveness. Seeking redemption. Always searching for that elusive burst of inspiration. Settling for mediocrity because creativity is in such short supply. Listening to talk leading nowhere.

Gave up on reading Bob or Bill’s Big Book years ago that was going to lead to finding that higher power. That was a wasted journey. Cracked. Just another crutch.

Yesterday I went through eight business meetings. All in the same place. Only one made any sense. Why? He was smart. Knew his music. Can write. Really knows this thing called social media. Still excited about new musicians. Like artists from Mongolia. Told me things I never knew. How Hip Hop existed in Mongolia over twenty years ago.

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