And in the end…

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

It was listening to Stephen Colbert reminisce about Ric Ocasek and just how much the late musician and the music of the Cars had on his teenage life. How much Ocasek and his music lived with him through his college years and the sheer joy of being able to work with his hero. It was beyond Colbert being another fan boy. He personally knew Ric Ocasek, and so his recent passing hit home, heart and head. It certainly got into this head.

Continue reading “And in the end…”

Songwriters, ever get the feeling that you’re being screwed over?

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

Below is something written on my Facebook page yesterday as something came to light about one of my songs.

Think about this: You write a song. It’s your art. Perhaps naively, you sign the Publishing Rights to a global music publishing house. Why sign it to them? Because they’re big and big is good and you think you might be the next Ed Sheeran. And then you hear- almost one year later- that the song has been sold to a client as a sync deal.

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THIS IS WHERE…

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

This is where I arrived by ship from Colombo at nine, was a stranger in a strange land called Hongkong, and thought nothing of living in a shoebox in North Point on the 27th floor with my parents, my aunt, uncle, cousin and grandmother.

This is where I took a Shaukiwan tram to Quarry Bay School, possibly the first “East Asian” to be accepted.

This is where I first faced racism- and beat that devil at his own game by being a good pupil- academically and in sports- if you call Rounders a sport.

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CASE SENSITIVE: CURRENTLY IN HONG KONG. NEXT STOP?

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

In a city where a “young musician” is usually hovering around thirty or forty years old, to watch some videos without the bells and whistles, but bristling with the untapped talent and potential of Case Sensitive comprising Hong Kong-based Australian teenage brothers- Saxon and Jarvis Whittaker- put a smile on this face. For a change, it wasn’t a wry one.

Living in Discovery Bay with their parents- Dad is my longtime mate and truly world class saxophonist Blaine Whittaker, Mum Gillian is a teacher and, well, runs a lot- there had been a few videos of the two brothers shown rehearsing that was alright for what it was. But, for some reason, going to their Facebook page yesterday and watching a couple of videos where they’re playing ‘live’, one saw a massive improvement in their playing skills and, what’s key, potential. Lots of it.

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LESS JARGON, MORE EMOTIONAL ATTACHMENT: ISN’T THIS WHAT’S MISSING IN MUSIC TODAY?

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

There’s plenty of jargon flying around about the future of music. Maybe there’s always been. But never to this extent. Pretentious jargon? B-o-r-i-n-g?

Having grown up reading the world’s first Rock writers like Dave Marsh, Greil Marcus, Nick Tosches, Lester Bangs, Nick Kent, Charles Shaar Murray, that kid Cameron Crowe, The Lennon Interview by Jann Wenner, below etc, we were taken INTO the music that grabbed us by the ears, the mind and wherever else.

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MOVE ON, MOVE ON…THERE’S MUCH MORE TO SEE HERE

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

I was reading an interview Robert Plant gave in 2017 about not living in the past and to get out there and hear new bands. He could have been talking about life. All this living in the past and getting stuck inside of Mobile with the Memphis Blues again doesn’t exactly help one move on.

Robert Plant tell fans to stop living in the past and hear new bands – ROCK AND ROLL GARAGE

Maybe it’s an age thing, but, recently, especially in Hong Kong, listening to people I have known for decades reminisce, but continue reminiscing about everything that happened a very very long time ago, Kemo Sabay, has had me nodding off.

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THE TROUBLE WITH UNSOCIABLE SOCIAL MEDIA

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

She said it. Someone young and an “influencer” like Selena Gomez finally said what some of us “oldsters” have been saying about social media for quite some time: How it cannot be a good place, especially for young minds to go and where they believe everything they read. It’s often the worst “home schooling” in these very troubled times. It’s no bridge over troubled waters. It’s often quicksand.

Many don’t know better. This is, after all, one of the first stops in their life. Their “grounding”. They really do believe everything they read- anything and everything from total strangers who are “experts” on everything. Celebrities who are unaware of the influence they have over their fans. Or simply don’t care. It’s nothing personal, it’s just business.

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ALWAYS BE A MUSIC FAN. BUT IF IN THE BUSINESS OF MUSIC, MAKE IT WORK FOR YOU.

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

Sure, as a dyed-in-the-wool music fan, i enjoy the occasional dose of musical nostalgia as much as the next wistful person. But if still involved in being in music as a business and making music, being shackled to Yesterday and producing and producing, there’s always that inner voice asking, But producing for what? Where’s this tonnage of Whats leading? Down the long and winding road with all the other Nowhere Men?

Yes, the Beatles are timeless and there were some classic records made. But those Swinging Sixties and Woodstock and Monterey have often glamourised the pretty mediocre.

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