THE GLOBAL POWER OF HORSE RACING: ALL FOR ONE AND ONE FOR ALL

By Hans Ebert
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Streaming. The ‘live’ streaming of any event has its pros and cons. It’s how clever one is at using streaming. The music industry considers it a blessing that has made millions for music companies. For artists, not so good, but how many realise it? Most speed read and don’t see through the fluff. Others simply don’t care. They have hulu and Netflix and life is brilliant.

Without getting into this in any great detail, how can the non-stop streaming of music on Spotify or Tidal or Tencent with no announcers- once known as disc jockeys and then VJs during the years when MTV was relevant- help introduce new talent to music fans?

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