THE HK DERBY AND A MYSTIC JOURNEY FOR THE GOOD OF HORSE RACING

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

If Waikuku doesn’t win the HK Derby, someone close to me won’t be happy. And as misery loves company, this will mean sharing the disappointment and and going out for dinner sure to be a downbeat and hardly a fifty shades of grey evening.

This is why, I want Waikuku to win. This is my emotional attachment to the horse. Knowing how much winning this race means to her- her favourite horse racing in Hong Kong- and how it might spice up the relationship. One lives in hope.

Continue reading “THE HK DERBY AND A MYSTIC JOURNEY FOR THE GOOD OF HORSE RACING”

BEING DON DRAPER

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

I won’t ever stop creating. Creating, especially, music, but more and more being drawn to what some might label “indie films”. These days, it seems there’s a need for everything to have labels. It seems to give something relevance. It’s like today’s mot de jour: Ping- as in, “Let me PING you something.” Ping? Really? Hipster talk? Not another plate of warmed over waffles and clichés?

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LOVE DOESN’T LIVE HERE ANYMORE

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

It was while talking with a small group of people about how that first real love never ever leaves and lives with you forever- even in your dreams-and how love inspires us in so many ways. And just how bereft of inspiration the world is today because love is no longer what it was. And should be.

During this long day’s journey into night and being the only passenger on this mystery train through the past, someone asked whether I’m on Instagram. It was a strange adjunct to the conversation.

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WHEN HORSE RACING AND TWITTER GO OFF THE RAILS…

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

There might be many things holding horse racing back, but hypocrisy should not be one of them.

Then desperately trying to hide this hypocrisy, makes things worse when revealed and one is forced to eat humble pie and their original offending tweet.

Continue reading “WHEN HORSE RACING AND TWITTER GO OFF THE RAILS…”

THE NEW HONG KONG MIX. FOLLOW THE RECIPE AND STIR, HKJC…

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

It’s tough explaining horse racing to non-believers. Or to sceptics. You know, those who have already labelled horse racing as “cruel” and make you riddled with guilt for enjoying the pastime. How horse racing is a guilty pleasure. Something that cannot be enjoyed without there being strings attached. Something to keep under wraps. That doesn’t always work out. One gets found out.

Guess it’s like music. Those who refuse to admit that they’re swimming against the tide and not embracing the singers, bands and songs that one is supposed to just to be accepted. It’s like movies, too. Did I enjoy “Bohemian Rhapsody” and remake of the remake of “A Star Is Born”? No. And cannot stomach the song “Shallow” just as much as never having been a Dead Head nor part of the Woodstock Generation. It’s called individuality. Freedom of choice. Don’t follow leaders and watch your parking meters.

Continue reading “THE NEW HONG KONG MIX. FOLLOW THE RECIPE AND STIR, HKJC…”

HONG KONG AND A HEADY NEW MIX

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

Coming soon.
Mix.

Changing musical and other
Made In Hong Kong scenes
by
Hans Ebert

It’s not LIKE starting with a clean slate. It IS starting with a clean slate. And a different mindset. About using everything you already know, sometimes the hard way which are the best life lessons, but adding new ingredients into the mix. Breaking from tradition. Moving away from déjà vu. Moving into déjà nouveau. Leaving Juarez when it’s Easter time, too. When gravity falls and negativity won’t pull you through.

Hong Kong today is finding it hard to move forward. Too often, its own past keeps it from letting go of what once was. It’s like a long term relationship.

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DOUGLAS WHYTE

By Hans Ebert
@HansEbertMusic
Visit: www.hans-ebert.com

He needn’t have done it. But he did. Made the time to come up to Adrenaline after the races on Wednesday night with two owner-friends to just give me a gift he had promised.

Well, it wasn’t “just” anything. It was a great gesture of friendship, thanks and said much about Douglas Whyte- to make the time and effort to personally hand me his saddle and goggles from his last day as a rider. And being Douglas, he insisted on wrapping the goggles around my eyes to create a weird Robocop vibe.

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Looking back and moving forward with Carlos Santana.

By Hans Ebert
@HansEbertMusic
Visit: http://www.hans-ebert.com

It’s not how he plays it, it’s what he plays. He keeps things to a minimum. Like that sustained one note that goes right through you like a journey to the centre of the earth. It’s like how one picture is worth a thousand words. It’s always been about the simplicity of what he sends out- vibes, love, pictures for the mind.

Guess one can say the same thing about any of the great, especially Rock, guitarists, but there’s still only one Carlos Santana because he’s really in his own sphere. Even when going Pop in 1999 to give his career the commercial boost it needed following advice from Arista label chief and the very influential Clive Davis with “Supernatural”, it was that trademark guitar sound which carried a track like the hit “Smooth”.

Continue reading “Looking back and moving forward with Carlos Santana.”